Showing posts with label Utopia. Show all posts
Showing posts with label Utopia. Show all posts

Tuesday, May 1, 2012

Comic Review -- Avengers vs. X-Men #2 / Jason Aaron, John Romita, Jr., Scott Hanna, and Laura Martin

This cover is okay, but it does seem a little crowded this time around.  You've got nearly a dozen people on it, engaged in battle, and with the exception of the characters in the forefront, everyone's a bit overlit from the Phoenix flash coming from Hope Summers in the background.  It's not bad, really, and I can understand the need to convey the grand scale of the battle between the teams, but I think this effort could have come off better.

The gauntlet has been thrown down, so to speak, and the Avengers are engaging the X-Men in hand to hand combat, now that Cyclops has fired on Captain America.  As the battle begins, we see a jumble of match-ups and taunting as friends fight friends, lines are crossed, and relationships are stretched to the breaking point.  By the time the Avengers reach Hope, she has begun to feel the power of the Phoenix Force, and busts her way out of Utopia, leaving the skirmish behind to go and look for the Phoenix Force.  Meanwhile, in outer space, a team of Avengers has reached the approaching cosmic entity, and are preparing to battle it in the hopes of stopping it from reaching Hope.

I've got quite a few problems with this issue, a few of which stem from the previous issue's lead-in to the present.  For instance, Scott starts fighting with Cap out in the water, and the X-Men and the Avengers rush into the fray soon afterwards.  Now we seem to be back just before the fight, where something completely different happens.  Scott's standing with the X-Men, who are now asking him what the hell he's done, while the Avengers, up in the Helicarrier, contemplate the fact that they're about to engage the X-Men.

How the hell is that scene logical in terms of the previously established action?

There's a lot of taunting and smack-talking in this issue between combatants, which I can understand, but there is an undeniable air of awkwardness that comes from it all, as if in an attempt to squeeze as much meaning into each conflict, it all comes out stilted and artificial.  Yes, I know Tony Stark and Emma Frost had a thing some time back, but you don't need to insert that into the dialog.  Just pit the two against each other and let them fight.

Now, I will say that some of the descriptions are engaging, as Aaron puts a perspective on, say, the punch thrown by Emma Frost at Iron Man, or the Mach 5 family reunion between Quicksilver and Magneto, or the marital discord between Storm and Black Panther, complete with hurricane-force winds.  They get a little cheesy and overused at some points, but I do like them a lot more than much of the dialog employed.

I continue to dislike Hope, who continues to vacillate between brashness and idiocy at all the wrong times when she's not swaying to the call of the Phoenix.  By the time she's taken down the friends and allies trying to protect her and Wolverine shows up intent on killing her, I halfway want him to gut the little brat.  This isn't something I fault Aaron's writing for so much as the direction that's been taken with her by committee up to this point.  She's a Mary-Sue character without any redeeming qualities so far, and I have no sympathy or even liking for her at this point.

Finally, there's the art.  I know there are people out there who love John Romita, Jr. and worship the ground he walks on, and under certain circumstances, I'm a fan of his too.  But when it comes to large-scale, wide-ranging epic scenes of battle, I just can't get behind his style.  The art looks too rushed in panels featuring more than three characters at a time, and the overall aesthetic just comes off as too cartoony and awkward. Please, for the sake of reason, find another artist for this story!

Overall, I'm more than a little disappointed by this issue.  It has its good points, but between the clumsily relayed jumble of activities going on, the artwork that leaves much to be desired, and the central character who just oozes unlikability, I'm just not impressed with this one.  I think there's too much crammed into this story, and if the creators could take a less bloated and chaotic approach to the story, it would improve it immensely.

Many of the tie-ins to AvX work very well because they're telling a story, not squeezing an elephant onto a canoe.  It's for that reason that I'll stick with this limited series, but I don't think the main title is all that impressive, so far.

Barely recommended, with serious reservations.

Sunday, April 15, 2012

Comic Review -- Avengers vs. X-Men #0 / Brian Michael Bendis, Jason Aaron, Frank Cho, and Jason Keith

I'd been meaning to read this issue weeks ago, but only recently got around to it.  Since I've already started the AvX stories, I figured I should get this one read and reviewed.  So, here goes!

I like the cover, though the Scarlet Witch and Hope Summers don't really appear together in this issue.  Instead, they have separate stories that feature each of them.  Still, the image is very evocative, and does a good job of selling the notion that these two will play some kind of prominent role in the coming saga.  Hope's apparent role is already pretty obvious, but Wanda's is a little harder to divine.  Still, we only know what's been written up to this point, so anything goes.  Did anyone notice the barely visible greyscale Ms. Marvel and Iron Man also on the cover?

In the first story, the Scarlet Witch makes a reappearance on the superhero scene by foiling as assassination attempt by M.O.D.O.K. and A.I.M. on one of their former scientists who tried to leave them.  While she isn't able to hold them off on her own, she keeps them occupied long enough for Ms. Marvel and Spider-Woman to arrive and help her finish the job.  They are happy to see Wanda, and insist on bringing her back to Avengers Mansion, but she is highly reluctant to go.  When they get there, she is greeted by Vision, her husband, who coldly rejects her and tells her she has no home among the Avengers.  Ms. Marvel flies a crying Wanda off the scene, while Vision silently weeps for his loss.

Hope's story features her flying off Utopia with Cyclops's jetpack.  Apparently she's been taking it upon herself to play solo vigilante to blow off steam.  Cyclops confronts her about it, and she uses the opportunity to ask him about the Phoenix Force.  When he's less than forthcoming, she leaves the island and goes to break up a late-night bank burglary underway by the Serpent Society.  By the time Scott and Emma find her, she's taken down their members and is beating Cottonmouth to a pulp.  She tells Scott that she's not afraid of the Phoenix Force, and that she's ready for it and wants it to come.  Emma expresses that this is all too much pressure for Hope, and Scott replies that either way, for good or bad, Hope is special, and will find a way to handle it.

I really enjoyed the Scarlet Witch's story.  I'm not terribly familiar with Wanda as a character, but I know she has a long, deep history with the Avengers.  It's also not hard to imagine that she's something of a pariah, as she nearly obliterated the entire mutant race with the phrase, "No more mutants" a few years ago to spite her father Magneto.  She's very aware of all of this, and even though she's trying to do better by playing the hero again, she knows she can't go home again, at least not yet.  When Vision rejects her, you can see the fear realized in her face as she tearfully apologizes for her past actions.  Clearly there are a range of opinions about her return: Wolverine and Beast seemed less than thrilled to see her--probably in light of the mutant issue--but Thor and Iron Man, long-time comrades in arms of hers, seemed sympathetic, and even sad to see her go away at Vision's behest.  It makes me more interested in Wanda's backstory up to this point, and I will have to endeavor to read all the Avengers Disassembled, House of M, and Decimation stories where she features so prominently.

I was not so keen on Hope's story.  Again, I'm not terribly familiar with her character either, but all the depictions I've seen of her haven't painted a very good picture.  She comes off as an overpowered, petulant teenager whose sense of self-importance is a little too confident for her age.  She openly defies Scott, blows off his concerns and attempts to discipline her, and barely seems moved by the impending events concerning her.  While she's ostensibly resorting to her vigilante activities as a form of coping with it, I'm still not feeling any real sense of fear, or trepidation, or uncertainty from her.  That would go a long way towards making her portrayal more sympathetic.

The art in both stories is very good.  I like Frank Cho's pencils, and while I have some issues with how old Hope looks if she's supposed to be an actual teenager, I have nothing but praise for how his adult heroes look.  Wanda looks beautiful and almost lost in her apprehension.  Iron Man and Beast looked a little off during their brief appearances, but I'm perfectly willing to forgive that, since they were little more than talking heads with up-or-down thumbs in that story.  Very enjoyable to behold.

Overall, it's difficult at this juncture to see how relevant these stories are to the upcoming AvX arc.  Each is intriguing in its way, and I will be keeping an eye on these two characters throughout the story, but there's little that's conveyed that directly ties in to the main arc.  It informs it more than anything else.  Still, they're good reads--I obviously think the Scarlet Witch feature is better than Hope's--with good art, and worth a glimpse, at the very least.  Recommended.

Sunday, April 8, 2012

Comic Review -- Avengers vs. X-Men #1 / Brian Michael Bendis, John Romita, Jr., Scott Hanna, and Laura Martin

The cover for this issue is decently drawn, but suffers from two things.  First and foremost, it's crowded as hell, which I understand.  Some covers are simply going to look like this, especially when you have a story covering two large super-hero teams.  That doesn't stop it from looking primarily like a bunch of angry heads on one page.  There's no real opportunity for action or dynamism.  The second problem is exposure: this image has been promoted for months, so we knew this was coming.  Still, it sets up the story and gives us an idea of who will be fighting who.

The plot, which has also been known for months, is that the Phoenix Force is on its way back to Earth, this time seeking out Hope Summers, the apparent mutant messiah, as its host.  The Avengers are intent on taking Hope into protective custody, while Cyclops and the X-Men are intent on keeping her on Utopia and dealing with the problem themselves.  Cyclops seems to be of the opinion that the Phoenix, though a destructive force, always brings rebirth, and that part of the equation could be the key to somehow resurrecting the mutant people, who were all but obliterated by the Scarlet Witch on M-Day.

The only thing Scott will ever have in common with Han
Solo?  He shot first.  This issue makes the X-Men--or at
least their leader, Scott--look like the aggressors.
The actual issue itself doesn't reveal too much that isn't already known, it just gets the game started.  Cap and company come to Utopia, hoping to peacefully retrieve Hope, and Scott, who's already been obsessively--one might almost say brutally--training Hope, brashly refuses to turn her over, to Cap's--and apparently Emma Frost's--disappointment.  He basically acts like a complete and total ass during this issue, which doesn't make me optimistic for the X-Men at this point.  Not only are the Avengers a larger team, but where Cap went diplomatically, with a good head on his shoulders, Scott is shooting from the hip, casting insults, and basically acting like a child.  I know being leader of a mutant team isn't easy, but he needs to get his head on straight, and quickly.

I'm guessing this has something to do with the fact that Bendis has been an Avengers-centric writer for a while, and either has to do with an unfamiliarity with or contempt for the X-Men.  That's fine--write what you know, I say--but I am hoping we'll get a more balanced view of both teams as the story arc widens.  I'm sure we will, as other writers and artists get involved, but with this kickoff issue as the only AvX title this week, it leaves things looking a little one-sided in terms of who has the moral high ground with this struggle.

It fulfills the sense of anticipation, and reads pretty well once the primary conflict is brought into play, but the lead-up does drag on a little bit--and for me to say that is a rare thing.  It consists primarily of material that was included in the previews, and some material involving Nova that seems contrived to provide action where there otherwise would be none.  I'm hoping things will be considerably tighter as this goes on.

Speaking of art, I have to say that I'm not a big fan of John Romita, Jr.'s work in this issue.  I've said it in the past, and I'll say it again: he does pretty well in more intimate, less wide-ranging stories, but when you have something as grand and sprawling as the Avengers versus the X-Men, his pencils really become distracting, to where I notice the style all the time, to its detriment.  It's something about the line work, the faces... I don't know if they just look overly cartoony, but something is making notice it, and not in a good way.

Overall, I'd say this issue suffers primarily from overexposure, and while I'm not too thrilled with the introduction, the actual start of the conflict brings things up to a more interesting level.  My issues with the artwork, I'm sure, are simply my own, but I just have issues with Romita's depictions of multiple characters over a wide-ranging group.  Nevertheless, as the start of the Marvel's premier summer event, it's a must-read for anyone who wants to get involved.  Recommended.