Showing posts with label Judd Winick. Show all posts
Showing posts with label Judd Winick. Show all posts

Thursday, May 17, 2012

Comic Review -- Batwing #9: You Have Been Judged Unworthy / Judd Winick, Marcus To, and Ryan Winn

Interesting cover, with a dynamic composition and a breathtaking angle.  Batwing's struggle with this Talon emphasizes how dangerous these assassins are, with Batwing defending himself from a vicious assault from above.  The artwork is nice, and makes me want to see what happens in the pages within.

We open with a conversation between the members of the Court of Owls, who are talking about retiring Alexander Staunton, presumably the Talon featured in this issue.  David and Matu, meanwhile, have come to the Batman, Inc. headquarters to get some upgrades for the Batwing armor.  Lucius Fox invites them to a gala the corporation is hosting, and David reluctantly attends.  He has a difficult time hiding his disdain for a corrupt African politician, but is reigned in my Fox, who tells him that sometimes personal sacrifices have to be made for the greater good.

It isn't long before the gala is marred by a gasoline fire, prompting David to find and don the Batwing armor.  Alfred's call for help against the Talons goes out to Matu, who relays the information to David, who arrives just in time to distract Fox's Talon from murdering him.  They fight, and David gauges the Talon's regenerative abilities while they do so.  Finally determining that extreme measures are needed, he blows the Talon's arms off by using explosives designed for blowing locks.  When he's congratulated by the politician he'd expressed disdain for earlier, he punches him out, telling Fox that that is how they compromise in Africa.

I'm unfamiliar with Batwing and Batman, Inc., so this storyline is yet again expanding my horizons in that way.  David Zavimbe's depiction as essentially an African, black version of Batman is interesting, and the fact that he works with an organization that essentially supplies gear and upgrades to the Batwing armor gives him (at least in theory) the same access to technology that Bruce Wayne has.  I also like one similarity he has with Batwoman, which is essentially the close immediate assistance of a second party, in this case Matu Ba.  Like Kate Kane's father, he relays information and aide to him essentially in real time, making him by design more of a team player than Batman would be.

David certainly seems to share Bruce's obsession for crimefighting work and defeating opponents.  He's very smart about observing his opponents abilities during their fight, and applies that knowledge liberally to end situations as quickly as possible.  He tests several limits of the Talon's endurance, and finally has no problem blowing off Staunton's arms to end their encounter when he sees how formidable his opponent truly is.  It makes for a familiar feel to a Batman character with a fresh appearance.

Artistically, I think Marcus To brings a steady sense of realism to his depiction of the characters.  He's as good at drawing them in civilian garb as he is at outlandish superhero costumes, and his action scenes are for the most part pretty good.  Occasionally things look a little rushed or minimal, usually during action shots from a bit of a distance, but I can forgive these in relation to the amount of outstanding work in this issue.  Excellent job!

Overall, I enjoyed this outing, and not just because it's another Night of the Owls story--though to be fair, I'm loving this event.  I enjoy the portrayal of Batwing so far, and his intelligence, prowess, and determination.  The action is great, the art is good, and the characters are intriguing.  Definitely a must read for Night of the Owls fans, this story is seriously making me consider adding Batwing to my pull list.  Highly recommended.

Sunday, February 26, 2012

GN Review -- Batman: Harley and Ivy / Paul Dini, Judd Winick, Bruce Timm, & Joe Chiodo

A more cartoony, delightfully campy predecessor to Dini's work on Gotham City Sirens, Batman: Harley and Ivy explores the relationship between these two female characters that started in Batman: The Animated Series where Harley originated.  It also demonstrates the fact that, despite the overuse of the device, buddy comedies are timelessly entertaining.

Batman: Harley and Ivy collects three tales that showcase the characters' relationship.  "The Bet" focuses on Ivy betting Harley a dollar that she can get every man in Arkham Asylum to kiss her.  Things are going fine, and Harley doesn't seem to mind losing, until the Joker is suddenly returned to Arkham, and Ivy includes him in the bet.  Harley must use every trick in her charmingly demented book to thwart Ivy's attempts to kiss her man, leading to a chuckle-worthy ending.

"Harley and Ivy: Love on the Lam" starts off with Harley and Joker pulling a job in a museum when Two-Face and his men show up.  When Harley suggests a relatively bloodless solution to their problem, Joker throws Harley out on the street again, leading Harley to seek out Poison Ivy so they can pull a job and make some money.  Ivy, skeptical that Harley's doing this to get back in the Joker's good graces, agrees to do so on the condition that Harley consider working on her own, that and the fact that the company they're robbing is a major polluter of rain forests.

"Batman: Harley and Ivy" deals mostly with the antagonistic relationship between the villainous duo, as Ivy can't stand Harley's general air-headedness and incompetence, but also can't bring herself to abandon Harley completely.  After Harley botches their latest job, Ivy escapes from Arkham, intent on leaving Harley behind to go to Costa Verde by herself.  But Harley's not far behind, and manages to tag along on Ivy's adventure, causing equal amounts of grief and chaos for her begrudging partner, much to the delight of readers.

The plots are fairly light and trite, and rightfully so.  This is a focus on the characters, and it's hard not to be charmed by these two lead characters.  Not only are they gorgeous bad girls, but their comedic chemistry is undeniable.  Theirs is one of the classic comedy friends duos, with Ivy as the more uptight straight woman, while Harley gets the role of wildly demonstrative comic relief.  Ivy easily gets frustrated with Harley's childishness, but can never bring herself to really abandon or hurt her friend, despite how doubtlessly easier her life would be if she didn't have to worry about her.

The humor was very clever in places.  One of my favorite moments is when Harley knocks out an actor playing the Joker in a Hollywood production of a movie about Harley and Ivy.  The actor murmurs, "Yoda?  Dagobah System?" as he falls to the ground, a playful dig at Mark Hamill, who voiced the Joker for so long.

Art-wise, it's very delightfully modeled after the animated series look, with the exception of "Love on the Lam."  There, Chiodo's illustrations in that story, while still very cartoony, also have a more rounded, finished look that belies his work as a pin-up artist.  It's very lush and sexy in places, an obvious fit for two of the ladies who would come to make up the Gotham City Sirens.

Overall, I enjoyed this book on several levels.  The comedic team these two make up is quite a joy to behold, as are their mildly cheesecake depictions by the various artists who draw them.  If you like Harley and Ivy, or want to see the basis for their madcap relationship, definitely check it out.  If you enjoy buddy comedies, this is a good depiction of one.  Highly recommended.