Showing posts with label Jim Cheung. Show all posts
Showing posts with label Jim Cheung. Show all posts

Thursday, September 13, 2012

Comic Review -- Avengers vs. X-Men #11 / Brian Michael Bendis, Olivier Coipel, Mark Morales, & Laura Martin

SPOILER WARNING!!  This review contains a BIG SPOILER about a character's fate in the Marvel Universe!  Please DON'T view if you don't know what it is and don't want it spoiled!

Overall, a good issue, though not without its flaws.  Still, it's heartening to see how this story has improved from its less than stellar beginning.  Hope you enjoy!

This video can also be found on my Youtube page!

Tuesday, May 22, 2012

Comic Review -- Avengers vs. X-Men #4 / Jonathan Hickman, John Romita, Jr., Scott Hanna, and Laura Martin

I know I've been pretty critical of this series, but I must admit I like this cover.  It says, "Get Hope."  We've got the young lass on the run, the Phoenix getting nearer, and two teams full of heroes hot on her trail.  It sells the issue pretty well, and Jim Cheung's pencils here really make it look pretty.

Wolverine, who has done a hilariously admirable job of surviving in the Antarctic since Captain America marooned him there last issue, is picked up by Hope Summers, who tells him he's the only one she trusts to finish her off if she can't control the Phoenix--but, she stipulates, she deserves a chance to try.  Wolverine reluctantly agrees, and as the other teams fight each other while trying to track Hope down, he raids  the A.I.M. Worldworks and helps her secure a shuttle to the moon.  Once there, she is confronted by the Avengers and the X-Men, who threaten to start fighting over her fate once more, until Thor comes careening into their location.  He's been hit hard by the Phoenix Force--which has just appeared to all of them.

It's too late.  For better or worse, the Phoenix is on hand.  If it's gunning for Hope, it will probably get her.

Things finally got a lot more interesting in this issue.  I'm not sure if it's due to Jonathan Hickman's deft handling of the material or if there was an emergency editorial meeting that mandated things actually get more readable, but either way, this issue is a marked improvement over what's come so far.  Hope's seeking out of Wolverine for the reason she ostensibly ran away--that he was willing to kill her--was unexpected, and makes me a little more willing to give the girl a chance in the hero department.  Up until now, she's just been a badly written teen, full of snot and noise at all the wrong times; now, she's shown a real willingness to own up to how big all this Phoenix business is, and I do like that.

The beginning of this issue had me in stitches, for two reasons.  First, seeing that Wolverine killed a polar bear and used it as a gory overcoat was nothing short of hilarious.  And of course, Hope using beer cans as bread crumbs to lure Wolverine to her aircraft was a tension-breaking touch of genius that showed that Hope--along with Hickman--knows how to motivate the tough-talking mutant.  Brilliant.

The montage of fight scenes between the two teams as they work their way around the world in search of Hope felt a little obligatory and really did little to add to the story except remind you to BUY AVX VS FOR THE FULL STORY OF THESE FIGHTS.  While I intend to do so--the writing in the first one was better than the writing I'd seen in the first three issues of this main series--I think it's worth saying that this kind of blatant salesmanship is a little insulting to the reader.  If you want to make these fight scenes important to the main narrative, I'm all for them, but for fate's sake, MAKE THEM RELEVANT.

Finally, there's the artwork.  I don't think I've made any secret that I'm not fond of John Romita, Jr.'s artwork for something this expansive and wide-ranging, so I'll stop crowing as much about it for a while.  I will say there's been some moderate improvement in various scenes, particularly the ones where he's just focused on one or two characters per panel.  I really did like the partially shadowed Wolverine at the A.I.M. base after he's just gotten done slaughtering a bunch of bad guys.  His renditions of Hope are also pretty good in some places as well.  It's like when he's just got a little to concentrate on, he does decent.

Overall, I'd say this issue is worth picking up.  The writing is engaging, the artwork is a little more palatable, and things really appear to be coming to a head.  Highly recommended.

Saturday, May 12, 2012

GN Review -- Avengers: The Children's Crusade / Allan Heinberg and Jim Cheung

In continuing my exploration of the Scarlet Witch's recent past, I've skipped ahead to more recent developments, which are nevertheless surprisingly connected to some of the events I saw in Avengers Disassembled.  I was a little surprised to see that this was told mostly from the standpoint of the Young Avengers, who had apparently come about soon after the Disassembled story arc.

During a pitched battle with a group of overpowered zealots, the Young Avengers defeat their opponents only when Wiccan's powers seem to augment beyond his control.  Several Avengers witness this, and remembering all too well how powerful Wanda was, bring him and Hulkling to their headquarters for observation.  They eventually bust out of their new "home" with the help of their teammates and embark on a quest to locate the elusive Scarlet Witch, who Wiccan suspects is his and Speed's mother.  They end up enlisting the aide of Magneto, who may therefore be their grandfather, and travel to Latveria, where they suspect she is in hiding.

When they prove successful in locating her, there are still a number of complications they have to deal with.  First and foremost, she is about to marry Doctor Doom, who seems to be shielding her from her past memories, and also may be intent on keeping her nearby because she's so potentially powerful.  Iron Lad takes them to the point in time just before Jack of Hearts explodes in front of Avengers Mansion, and snatches Scott Lang to bring to the present, much to his daughter's delight.

The rest of the Avengers show up, as do a large group of the X-Men, who then start to argue and fight over Wanda's fate and who should decide it.  In the chaos, Cassie is killed by an over-powered Doom, who soon burns out from the power he stole from Wanda and escapes.  The X-Men decide to leave Wanda alone after an impassioned plea from Wiccan, and she decides to take some time to figure out what she will do with her life now.  The Young Avengers disband, but not before Captain America tells them that they will always be considered Avengers, whether they continue to be heroes or not.

Obviously, there's a lot going on in this story, which at times feels a little out of hand in terms of focus.  In addition to the main plot involving the Scarlet Witch, you have a sub-plot that's still very significant involving Iron Lad--who is apparently Kang at a younger age--saving Cassie Lang's dad, Scott, from his original death in Avengers Disassembled.  There are guest appearances from Doom, Magneto, the Avengers, the X-Men, X-Factor... it can get a little confusing to keep it all from spiraling out of control.

There's also more suspension of disbelief required to read this story than is usual in a superhero comic, mainly because of the involvement of magic and magicks as plot devices for the characters.  Apparently Speed and Wiccan are the "children" Wanda created before Avengers Disassembled, as they look remarkably similar to one another, and to Magneto and Wanda and Quicksilver, and their power sets mimic those of Magneto's children.  It's a very flimsy premise, and essentially one you have to decide to believe simply for the sake of allowing the story to continue.  I was willing to do so, but I will understand if many readers have a problem with this plot point.

Still, for all the events going on, it never really feels clogged or blundering, and Heinberg actually manages to juggle the multiple plots as well as could be expected, managing to infuse them all with feeling, value, and enough action and drama to keep you turning the page.  Wiccan is ultimately the main protagonist, and his quest to find Wanda is genuinely rendered.  Wanda, when finally found, is given plenty of room to shine, and the magnitude of her crimes against both the Avengers and the mutant population is explored in depth.

Art-wise, this is a great story.  I've seen Jim Cheung's work before, but I have to say that he's really got a talent for rendering superheroes in clear, dynamic fashion, and he has no problem with scale.  Be it just a couple of characters or twenty five in a panel, everyone looks marvelous.  Action scenes flow effortlessly, and everyone looks distinct, even if you take away the iconography that would be associated with their powers and costumes.  Very good work.

Overall, I think this is a great story, perhaps a little too big and unwieldy in places, but overall a good telling of the Scarlet Witch's return to the world at large that she helped create, for better or worse.  The believability factor is easy to gloss over in light of the rest of the action and drama, but some readers may feel cheated by it.  Still, the narrative flow really carries the reader through the action in some places, and the artwork is a wonder to behold.  Definitely a must-read for Scarlet Witch fans, Avengers completists, and anyone who enjoys comics primarily featuring teenage superheroes.  Highly recommended.