Comic Review -- Avenging Spider-Man #12 / Kevin Shinick, Aaron Kuder, and Matt Hollingsworth

My take on Avenging Spider-Man #12.  Overall an amusing, slightly strange read, but entertaining.  Check out the full video here!

This video can also be found on my Youtube page!

More Comicpalooza Pictures!!!

Today was the last day of Comicpalooza, and also makes for the last bit of self-allowed laziness in my writing for a while.  It was both cause of celebration and sadness as things came to a close, but I'm eager for next year's event, and am excited at the possibility that I might expand the professional and fan opportunities I've touched upon at this year's convention!

Anyway, enjoy these last pics of costumed con-goers from today.  Good-bye, Comicpalooza 2012.  It was a blast!

Mr. George Takei himself!

Comicpalooza Picture-rama!!!

I haven't played Assassin's
Creed, but I recognize the look
immediately.  Not a bad fan effort.

This will be both an enhanced and slim post.  There's plenty of pictures, but not much that I'll be writing tonight.

I figured I'd take a few choice pictures of all the excellent costumes and looks that people have put together for today's trip to Houston's comic convention, Comicpalooza.  It was quite the feast for the eyes, as it seems every geek, nerd, dork and dweeb from Houston was there, and in proud form.  I unapologetically count myself among their number!

I've been here all weekend so far, in both a professional and fan capacity.  The presentation about libraries and the comic book industry went well, and there were plenty of interested hangers-on afterward who wanted to talk to me and my co-panelists.  It was a nice feeling. :)  We worked the HPL table afterwards, and helped customers register for library cards and showed that the library carries plenty of graphic novels.  We got quite a few applications, which was wonderful.

The Doctor was there, along
with his wife, the TARDIS. :)

After that, I had purchased a 3-day pass, and wandered to all the various events and exhibits at the con.  As you can see below, there was plenty to see, and my phone actually ran out of power from taking so many pictures, among other reasons.  Take a look and enjoy the images!

I was particularly struck by two things: first off, the costumes looked great.  Everyone obviously put their passion and effort into their presentation, and there were so many people asking and posing for pictures that it was very heartwarming.  Also, everyone in costume was very accommodating and cheerful about posing for pics.  There was nothing but happy reactions to picture requests, and I think that says a lot of good about this particular culture of Houstonites!

Possibly very amusingly, I'm looking forward to the day when I can be the big geek someone stops and asks to take a photo with or of.

Come on, Nightwing costume...

Wonderful Codex costume effort from a photogenic con-goer!

Possibly more pictures for tomorrow's post!

Insane he may be, but this Deadpool was very eager to pose for
pictures!

There were many exhibits, but I thought this Tentacle Kitty booth was particularly adorable-yet-disturbing.  

Contrary to public perception, Rorschach turned out to be
completely gracious and polite in public.

A Dalek and K-9 display... :)

Cap and Iron Man!

A completely silent, but totally expressive Portal Companion
Cube!

The most awesome Harley Quinn at the con today!  Not only
did she look the part, but she was completely in character, with
the voice and everything!

An excellent Riddler costume!   Disagree?  Play Arkham City!

A bird's-eye view of the exhibits from the second floor of GRB!

And a corresponding look at the stage floor!

Comic Review -- X-Men #27 / Victor Gischler, Jorge Molina, Salva Espin, and Guru eFX

This is a pretty decent cover, though whether it works or not depends on how central you think Jubilee is to the team and the comic.  While Psylocke, Storm, Colossus and Domino all look pretty badass as they square off with Lord Deathstrike and his mercs, her absence is telling, given that the story has basically centered around her and her struggles with vampirism.  You could also say it's symbolic, given the ending of the issue, though I'll elaborate on that later.  In the meantime, I do think this is a nice cover.

Jubilee faces off against Kodo's assassin in a swordfight, and does all the heavy lifting on the banter and smack-talking end, as Lord Deathstrike is completely silent, and expressionless behind his mask.  Meanwhile, Warpath, Domino, Deadpool, and the Forgiven have succeeded in driving off the assassins that had come to kill them, and make their way back to Kodo and the other X-Men.  Unable to best Deathstrike in sword technique, Jubilee allows him to run her through so she can get close to him and, with sword sticking through her back, headbutt him hard in the mask, leaving him prone.  She nearly decides to drain him of blood then, but is stopped by a plea from Kodo and Storm, and spares his life.  He bows to her, teleports away, and leaves Jubilee to decide what her path should be now.  Electing to stay behind with the Forgiven, she vows to learn as much about being a vampire as possible, so that she may do the most good.

This was a good end to the arc I came into a few issues ago, and while I'm not very pleased about Jubilee's departure from the X-Men--she belongs there, as far as I'm concerned, and always will, mutant or not--it's an understandable one, as the Forgiven clearly have much they can teach her.  I think the parallels between these vampires and the X-Men are also noteworthy, in that both are hated and feared by the larger majority, despite the fact that they try to protect both.  So I will give my blessing for her departure, though I hope to see the day she returns home to her real family.

I also like the way the X-Men and the Forgiven have come to a kind of understanding of one another, through Jubilee.  They may not necessarily like one another, but they are more alike than they initially realized, both have had the opportunity to test and respect the other's combat prowess, and they both care for the teenager with the vampire complex, Jubilee.  It leaves the door open for possible future collaborations and storylines, and makes for the kind of relationship you might see in the real world between groups who respect one another: a silent kind of agreement or understanding, without extreme dollops of rage or love that we often see between super-groups in comics.

Also, I have to give props to how Jubilee handled combat with the mysterious Lord Deathstrike (though I do have issues with his name--is he related to Lady Deathstrike?  If not, find another moniker, please).  She clearly didn't have his level of skill, but decided to take a (normally) mortal blow to get close and finish the fight her way.  It was a badass move, and one that drives home the idea that you shouldn't mess with the teenage vampire girl when she's protecting an ally.

Art-wise, Molina continues to deliver a satisfactory rendition of the characters and the action, this time with some help from Salva Espin.  I can't tell who did what and where--it looks pretty much like what I've seen from Molina--but the overall result is a worthy blend of action, drama, and vampiric teenage rage that works for this installment.  One minor nitpick has to do with Jubilee's coat getting shredded during her fight with Lord Deathstrike, and then it being all fine and whole at the end of the issue.  Unless they have extras in the X-Jet, I don't see how this would be possible.

Overall, this was a fun, decent, if not particularly noteworthy romp through the dramas of the X-men and their world.  The story is fun, the artwork is good, and we see the departure of Jubilee for a while from the ranks of the X-Men.  Recommended.

Comic Review -- X-Men #24-26 / Victor Gischler, Jorge Molina, Guru eFX, et al.

X-Men #24
I like the cover for this issue, especially since this is my first direct exposure to Jubilee-as-vampire.  It clearly shows that she's still struggling with the situation, and gives a good insight to the story contained within.  It's also a Will Conrad cover, which is a bonus in my book.

Jubilee is in the care of the Forgiven, headed by vampire Raizo Kodo, as she tries to overcome her hunger for human blood, which she apparently craves without regular injections of Wolverine's blood.  She's having a tough time of it, refusing any of the animal blood they offer her, and stubbornly repeating her desire for human blood over Kodo's suggestions.  She finally breaks free from them, and is about to feed on an unsuspecting villager, when she sees her lack of reflection in a mirror, which sends her back to Kodo, begging for more help.  On the final page, we see her teammates on the X-Men have been searching for her, lair by lair, and won't give up until they find her.

I've seen Jubilee as a stubborn teenager before, so while this experience is technically nothing new, it's a little disconcerting to see her hardheadedness in action concerning the desire to drink blood--specifically human blood.  She uses a myriad of techniques to make her point: shattering glasses, throwing blood in the face of her captors, even seduction, before finally getting the drop on one of the Forgiven and trying to escape.  Her realization that her humanity is really leaving her--driven home by her inability to see her reflection as she's about to feed on a human--feels genuine, and her turnaround points up how vulnerable she feels in her new condition.  Writing-wise, this felt like a good, solid story.

Artistically, I enjoyed Barrionuevo's pencils.  The linework seemed more lush and full in the scenes set in the darkness, and took on a more smooth and fluid feel in the daylight scenes.  Lacombe and Smith use shadows and shade effectively in a story that emphasizes light versus dark in several ways, though occasionally I was a little thrown by how often they were employed.  Finally Rosenberg's colors seemed to support the rest of the creative team with the daylight scenes done in very light, almost faded hues, while there was more depth to the darker scenes.  Very interesting work.

Overall, a good story to enter this series on.  I'll be looking for more stories about Jubilee becoming and vampire and dealing with it, but this sets up a good character development for her.  Highly recommended.


X-Men #25
Wow, now this is a beautiful cover.  The positions and composition, the light and shadows, even the relative tranquility on the subjects' faces in what should normally be a tense moment of struggle.  It makes for a beautiful moment between two teammates who have a long history together despite their current conflict.

The X-Men have been searching for Jubilee for weeks, clearing out lair upon lair of vampires with no luck.  Finally, they get a break and are sent to the South China Sea to find the current location of the Forgivens' mobile base.  After an initially tense meeting in which the Forgiven are forced to defend themselves against an overzealous band of X-Men, Jubilee forcefully steps in and demands they stop fighting.  Moments later, Colossus arrives, with a couple of bounty hunters and a message from them: there's a huge bounty on Kozo, and mercenaries for hire are currently swarming the island to find him...

This is a good continuation of last issue's story, where the focus now shifts to the team Jubilee left in her quest to overcome her darker nature.  Storm, Colossus, Psylocke, Domino and Warpath have remained single-minded in their quest to rescue their young teammate, and the fact that they've spent weeks searching for her shows their dedication, particularly when you consider that Jubilee could have gone rogue vamp at any point in that time, and they wouldn't know it.

Call me a party pooper if you like, but I have to say I'm getting a little tired of the frequency with which the whole shoot-first-ask-later bit happens in these situations.  Storm, particularly, has no excuse here: she's led the X-Men for years, and she's been the queen of a country.  She should know when and how to keep a cool head during potential standoff situations.  I know she has her issues with vampires, but that's still no excuse.  She has her team and Jubilee to think of.

Artistically, I think the issue succeeds overall.  I have a little bit of reservation about some of the faces Molina does in this issue--they seem slightly off in places--but they are also extremely well detailed and very expressive.  Even in the dynamic flow of the action, he does an uncanny job of drawing my eye to the feminine charms of his heroines, of which there are plenty.  Guru eFX does a vibrant job with the colors throughout the issue, bringing a variety of hues and shades that are pleasant to behold.

Overall, a good continuation of the previous story.  I'll be interested to see where the arc goes from here, now that the X-Men are in the position of having to work with the Forgiven.  Highly recommended.


X-Men #26

This cover feels pretty cinematic to me.  It's what I'd expect from the poster for an action film.  It's very balanced and dramatic, and another awesome, beautiful effort from Jorge Molina.

The X-Men and the Forgiven have taken positions to intercept and deal with the hired mercs who've just swarmed the island--except for Deadpool, who Domino has convinced to help them by agreeing to go on a date with him afterwards.  Storm and Kodo argue about command styles and strategy until Jubilee snaps at them both to put their differences aside for their people.  They hold off most of them, but one group manages to infiltrate the base, knocking out Psylocke, Storm, and Inka, and impaling Kodo almost fatally.  Enraged, Jubilee, not knowing who the masked assailant is, picks up a sword and challenges the would-be killer to a fight.

There's not much to this issue, plot-wise.  The firefight and slugfest was set up last issue, and now it's being executed.  It is fun to watch the fireworks, though, and I always enjoy the opportunity to see Deadpool get in on the action, switch sides, and make insane, juvenile quips.  The X-Men and the Forgiven work well together, despite the intense dynamic between their leaders and particular teammates.  It'll be interesting to see how things are wrapped up in the next issue, with Kodo's life hanging in the balance.

I think I've still got some issues with Storm's characterization in this arc so far.  She's far to obstinate and headstrong.  I've always known her to be diplomatic, level-headed, and cooler under pressure.  Maybe I need to read about her encounters with Dracula to get more perspective on her experiences with vampires, but she comes off as too childish and too eager for a fight with Kodo.  She's not thinking of Jubilee's long-term welfare, which should be a central concern, nor the fact that she's survived several weeks with Kodo and still hasn't fed on human blood.

Artistically, Molina continues to delight.  His characters are well-drawn, and the action scenes are fast paced and cool.  I'm still occasionally distracted by the faces and forms of some of his characters--Storm has several such moments in this issue, particularly page 5, panel 1--but for the most part am willing to overlook them in the face of the more frequently good renderings.  I do think he's doing a good job of fleshing out Jubilee's vampiric state in a more subtle fashion, be it through slightly extended fangs, or red eyes that don't glow.

Overall, I'm eager to see how this story concludes.  I'm also eager to see if Jubilee actually knows how to use a sword, as I've never known her to be proficient with them.  Either way, I think it will be good to see how she comes through this, and how the X-Men resolve their conflicts with both the assassins and with the Forgiven.  Good story, mostly good art, and well presented.  Highly recommended.

GN Review -- Dark Reign: Deadpool/Thunderbolts / Andy Diggle, Daniel Way, Bong Dazo and Paco Medina

So, imagine you're on this insane suicide mission to infiltrate an alien ship and obtain data on how to kill their leader.  You waltz on to the ship, cause mayhem and destruction, and acquire the data.  But never mind that it's world-saving information--no, you're doing this because you're being paid an ungodly amount of money to do so.  You transmit the data to your contact, no problem...

... and your contact doesn't receive it.  And therefore refuses to pay you.

Then some jerk uses the data you stole to kill the alien leader and take all the credit.  You know the information you stole was utilized by said jerk.  But said jerk is now arguably the most powerful man in the world, and doesn't care that you lost out on a king's ransom when he stole your data.  What do you do?

Well, if you're Deadpool, you basically throw sanity to the winds, walk in the front door, politely demand your king's ransom, and then shoot up said jerk's hired help.  That's basically the plot for Dark Reign: Deadpool/Thunderbolts, in which Deadpool, who's dead-set on receiving the exorbitant payment he so bitterly feels he's due, goes after the now mega-powerful Norman Osborn, who intercepted Deadpool's hard-fought data.  In a hilariously quixotic quest for his money, he encounters one of his hired gun super-goons, the Thunderbolts.

Basics of the plot: Deadpool stole data on how to kill the Skrull queen, which he transmitted to Nick Fury for a big payday.  Nick Fury never received the data, and didn't pay Deadpool, who soon afterwards watched Norman Osborn kill the Skrulls' queen, Veranke.  Osborn, a madman once infamous as the Spider-villain Green Goblin, is now hailed as a hero and handed the keys to the superhero kingdom, with which he dissolves the spy agency security department known as S.H.I.E.L.D., forms his own spy agency called H.A.M.M.E.R., and creates several hit squads to serve as bodyguards and tools for his own insane agenda.

Deadpool, of course, is a little upset at missing out on his pay for his part in the queen's downfall, and he's not going to let a little thing like Norman Osborn, sanity, or doors come between him and the payday he so richly deserves.  Osborn, of course, feels a little differently--namely, he doesn't give a crap about shorting Deadpool, and puts the Thunderbolts on alert as Deadpool attempts to find him in Avengers Tower.  The battle that ensues involves an explosion of one-liners, a team-up with the Taskmaster, and a none-too-smooth attempt to hit on Yelena Belova, all of which leads up to a conclusion that is both corny and childishly satisfying.

I'm not too familiar with the Thunderbolts--and at this juncture don't care to correct this--but I'll at least skim through anything that features Deadpool.  I knew he would be going after Osborn for his money, but didn't realize he'd be squaring off against the Thunderbolts.  I was a little disappointed it wasn't the Dark Avengers, but you get a before-and-after pair of stories involving him fighting Bullseye, which is also pretty satisfying.

The Thunderbolts, by comparison, are a squad full of chumps.  Deadpool basically takes down the entire team in one issue, and the rest of the story involves them trying desperately to take Deadpool down or Osborn will separate them from their heads.  Still, the action's not bad, and the dialog, while it won't be winning any awards, still affords you the occasional chuckle.

The humor, however, is what you go into this story for.  Here are a few of my favorite such moments:

• Norman Osborn listening to Deadpool talk to his own internal monologue while both crack jokes about Osborn's hair.  All Osborn can say is a confused, "Who the hell is he talking to...?"
• Deadpool taking down Ant-Man with a can of bugspray nearly split my sides with all the laughing I did.  Not very original, but no less funny for it.
• Basically any attempt at flirting with Yelena that Deadpool made was hilariously awkward.
• Deadpool getting at least a partial payday by stealing Osborn's credit cards and hitting who-knows how many ATMs to draw money against them.

The art between the two titles is good, even if they are noticeably different.  Medina's art is more cartoony and flows smoothly, while Dazo's is more realistic and expressive.  They're both good, but for different reasons.  I'll also say that Francesco "Matt" Mattina's Thunderbolts covers for this story were unbelievably cool.  Realistic, vicious and starkly beautiful.

Overall, this is a fun, fairly light read.  The premise is simple and straight-up, the action is decent, and the humor makes it quite entertaining.  The artwork is pretty good, even as the styles switch between issues.  Deadpool fans will enjoy this story, though I suspect the Bullseye stories are even more satisfying all-around.  Recommended.